The Writing Mafia

This is probably the most obvious thing you've ever heard/read about writing: write whatever you want. This is it. You've finally motivated yourself, and a startling burst of courage makes you place your fingers on the keyboard (or pick up your writing instrument). The white blankness of the page awaits you. And then suddenly, you're doubting yourself. Thoughts like these begin to bombard you: Can I really write this? Is it worth publishing? What do I even write?  I'm just going to straight up say: Write. Write whatever you want to write. Your thoughts, a random story, a poem about the tedious job of staring at blank pages all the time. It doesn't matter. Just write. Write about anything you're passionate about. What motivates you? What do you want to say to the world? Write about anything you like. Even if the topic isn't in demand. Even if no one's interested in it. Keep those words flowing. If you think your words can help hum...

Your protagonist is in need of a sidekick. Maybe they are in need of a foil, or someone to get them out of trouble. Sidekicks can be very useful. They provide your protagonist with someone to talk to, and they can assist in moving the plot forward. Be careful they aren't too boring or pointless. Here's a few ways to make your sidekick interesting: 1. Foil characters can be fun sometimes Nanny Ogg from Discworld (right) is possibly one of my favorite sidekicks. She adds an excellent air of comedy as well as being a helpful foil to the grim and fearsome Granny Weatherwax. As well as being a witch, Nanny Ogg has been married three times and has numerous children and grandchildren, an unusual talent for cooking, and an evil cat called Greebo. Despite being a sidekick, she provides much insight to the character of Granny Weatherwax at the same time as having an equally colorful personality. Make sure your foil characters are interesting too, instead of just being writin...

As a writer, it's very important to use colors to describe things. I've written a short story about a girl at her grandpapa's ranch. Notice how I use colors to make the images more vivid. This helps readers get a better picture. It also helps you get away with not using dialogue. I stepped into the hay field, longing to run my hands over the bristly heads. I wanted to run through the endless golden sea of hay. I wanted to leave my mark; my path; my trace. But that would ruin this beautiful sight. I pick a small, dying head and put it in the pouch Grandpapa gave me. It was soft, brown, and made with Indian leather. I moved along toward the pond. When I reached the pond's edge, I noticed a small thicket of blackberries slowly spreading around the side of the pond. As I reached out to pick a berry, I remembered my grandpapa laughing with my about these berries. He told me that was a silly name "blackberries" when they were really "purpleberries....

Colette apologizes, Grace - the original author of this post - has been temporarily removed from this post. Mostly due to the fact that she was not writing anything. Which might have been the point. Since the page is titled "Writing Famine" the page may have been meant to experience a famine of words. In which case it ought to be blank. So Colette will stop writing and allow the page to properly experience a writing famine. There will be no more words. Colette couldn't do it. She has thought of another topic for this page - what if it was supposed to be about the lack of writers, or about writer's block? If so, the page cannot be blank! So she had to write this. She is also aware that Hannah has covered this topic, and she was talking about the lack of creativity. So, as Jo said: we are forgetful people and need to be reminded of things. Therefore Colette will remind you that you never know, if you feel there is a lesson the world can be taught ...

I watched my daughter's sightless eyes close as I pulled her blanket around her tiny body. Even as she drifted into sleep, her smile tried desperately to rid my face of its scowl. The white men had done this to my Amika. They brought the disease that left her weak and blind. They brought the weapons that killed my father. They brought the culture that destroyed mine. They forced me away from everything I knew, they starved my family, they took away my reason to live, they broke my spirit. They left me in this cursed land in a tiny shack with nothing but my blind daughter. I, Malik, can never forgive them. I, Malik, will pay them back. I pulled the new bracelet off her thin little hand. "It feels just like my Cherokee beads, Papa," her innocent voice had said. The African beads from our slave girl Naira did indeed look similar to the Cherokee beads in Amika's hair. I had tried to take them from her earlier, but the confused and hurt look in her blind eyes stop...

Having recently finished reading the Hunger Games trilogy, I enjoyed characters such as Haymitch, Peeta, and Rue, and was perturbed by other characters such as Coin, Snow, and Gale. But wait. Surely, you're thinking, there's a mistake. Haymitch and Gale should be swapped. No, this is no typo. I can't account for the fact that I like Haymitch, but I have reasons for disliking Gale. I present you with… So You Think Gale Was Cute *DISCLAIMER: THIS IS MY PERSONAL OPINION* SPOILERS AHEAD (For Hunger Games, Lord of the Rings, and Harry Potter) “I'm in pain, Katniss,” he says, “that's the only way I get  your attention.” I have many things wrong with this. This is desperate. This is self-centered. This has the tone of a pathetic, begging fool. Saying you're in pain is an extremely obvious way of trying to get attention, so he's not even subtle. In fact, he points that out in his next sentence. So he has no subtlety, and thinks mainly ...

In this post, I'll be talking (or I guess writing) about how you can improve on writing dialogue. Dialogue makes up a large part of stories. It communicates a lot, too, such as how people feel or interact. Here's a few tips you can use to improve your dialogue. Here's an example from my work-in-progress, The Ruby of Fire. Loyalty is lying on the floor in her room, and the caretaker of her orphanage is trying to get her to try a little harder to act nicer, and get adopted. “Get up now or you’ll lose all privileges," the caretaker said. "I want to speak to you.” “Sure.” Loyalty said. “Like you really want to.” “I’m trying to be nice,” the caretaker said. “Yeah, right,” Loyalty said. “Look, Loyalty. I have to do something about you because no one wants a bad-mannered, hot-headed, lazy dragonet to care for.” “Have you considered the fact that you’ve starved me and that’s why I have no energy to do anything?” 1. Use action tags. First of all, ...