Skip to main content

On Writing Mentors

So. Mentors. How do you make them original?

1. Think Before You Kill Them Off

Mentors always die.

There's a reason for this. The hero needs to be able to solve his own problems. If the mentor is still there with the hero, the hero is going to end up saving the world in no time flat. The hero needs to be independent and go and save the world on their own. So that's why mentors are always killed off.

So why don't we bend the cliche?

If the hero needs to be without the mentor, do something with the mentor that doesn't involve killing him off! Maybe the mentor is on vacation and the hero is unable to send a message to him. Maybe the mentor is mentoring someone else and does not want to be disturbed. Or why not, maybe the mentor has just been cursed to fall asleep for a hundred years.

2. Make Them Look Different

There's one other thing about mentors.

They're almost always old, experienced men.

Imagine if there was a wider range of mentors. Young men who've been through a lot and lived to tell the tale. Fashionistas who are always searching for the latest trends. Little girls who dye their hair strange colors. Give it a try.

I'm not saying you can't use old men as mentors. The only reason they're cliche is because it makes sense to have someone experienced teach the inexperienced hero how to fight their own battles. Because they've lived for so long, they've got wisdom. They can pass down their tips and tricks to the hero.

But if you have the chance to write your mentor as someone other than an old man, go for it. It might actually make the plot more interesting.

3. Be Creative

Try something new. Let's say your mentor looks different than the rest and already stands out. But you want more. What more can you do? 

Here's an idea: write him a unique voice.

I'm not saying to write him spouting riddles every second sentence, although you can do that if you really want to. 

I mean write his voice to be a little different. Does he have an accent? Does he use slang? Does he have a sense of humor that comes out every other paragraph? 

Every character is different, so you get to choose what makes your character unique. Explore ideas. Mix and match. But don't go too far - unless, of course, it makes sense in your story.

Go forth and create,
     Germaine
     Genesis 1:1-2

Comments

Popular posts from this blog

Spoiler-Free Book Review - The Squire's Tales (Gerald Morris)

Okay, so it's technically an entire series, but that's irrelevant. I am reviewing books and it is therefore a book review.  The Squire's Tales , by Gerald Morris, is a series of novels that retell in hilarious fashion the lesser known tales of King Arthur and his Knights of the Round Table. Don't worry, you won't have to hear about the sword in the stone again or anything at all about Arthur's childhood. Because this is where the best part comes in: these stories are told from the perspectives of those that other renditions tend to gloss over, mock or forget entirely. These characters are a squire, (as the title would imply) a page, three women and a knight who is objectively terrible at being a knight. He sings and plays music instead. His name's Dinadan. He's wonderful. Over the ten books in the series, you get seven different characters from whose points of view the stories are told (plus a couple extra in the last book, but that's a spec...

How to Fix Bad Writing

A first draft of a novel is never perfect. A first draft of  anything you've written is never perfect. We all know that. If you're a serious writer who's been looking through writing websites and generally spending your time reading about writing, well, you're like the rest of us. Someday, you are going to look back at what you have written, may it be to edit, to remind yourself of how much you've improved, or just to laugh at your writing. So here's my advice. If it makes you cringe, do something about it.  I'm writing a fantasy novel about seven dragons with elemental powers who are trying to bring back flight to a world where dragons cannot fly. As my fingers flew across the keyboard, typing out the words, I came to a scene where one of my main characters has to ask a friend for help. In reply, the friend begins rambling on and on about why she can't help him, but at the end of the chapter, she agrees to help. When I looked back...

Help! I Need A Sidekick!

Your protagonist is in need of a sidekick. Maybe they are in need of a foil, or someone to get them out of trouble. Sidekicks can be very useful. They provide your protagonist with someone to talk to, and they can assist in moving the plot forward. Be careful they aren't too boring or pointless. Here's a few ways to make your sidekick interesting: 1. Foil characters can be fun sometimes Nanny Ogg from Discworld (right) is possibly one of my favorite sidekicks. She adds an excellent air of comedy as well as being a helpful foil to the grim and fearsome Granny Weatherwax. As well as being a witch, Nanny Ogg has been married three times and has numerous children and grandchildren, an unusual talent for cooking, and an evil cat called Greebo. Despite being a sidekick, she provides much insight to the character of Granny Weatherwax at the same time as having an equally colorful personality. Make sure your foil characters are interesting too, instead of just being writin...